Self-Government for Gibraltar
PREAMBLE
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| The Gibraltar 1969 Constitution Preamble engraved onto a stalactite at the Gibraltar Museum |
The Constitution
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| Sir Joshua Hassan, 1st Chief Minister of Gibraltar and Gerald Lathbury, Governor of Gibraltar in 1967 |
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| The Gibraltar 1969 Constitution Preamble engraved onto a stalactite at the Gibraltar Museum |
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| Sir Joshua Hassan, 1st Chief Minister of Gibraltar and Gerald Lathbury, Governor of Gibraltar in 1967 |
The closure of the frontier ordered by Spanish dictator, General Francisco Franco on 8 June 1969 was part of a two-pronged approach on Gibraltar in response to the Gibraltar Constitution Order 1969. The first being a campaign against the United Kingdom at the United Nations. The second was direct action against Gibraltar and its people on the ground. The consequences were instant for thousands of Gibraltarians as well as citizens across the border, as families were separated and was a major impediment on the development of the 'Campo de Gibraltar' (located across the border from Gibraltar). With this General Franco predicted and expected the demise and fall of Gibraltar. He was proven wrong.
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| Citizens at the Frontier Gate protesting |
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| Spanish workers leaving Gibraltar with their belongings and tools before the closure of the border |
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| The Ballot Paper with the 2 options, written in English and Spanish |
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| The streets of Gibraltar surrounding the 1967 Referendum |
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| Poster demonstrating Gibraltar's desires to remain British |
Fear and Loathing in the Psychedelic Era
It would be criminal not to mention Hunter S. Thompson
when talking about psychedelics in the 1960s. The journalist/writer was one of
the most influential figures of the era and he did not shy away from his use of
(many) drugs, including LSD.
His most famous
work is arguably his book ‘Fear and Loathing in Las Vegas’ (adapted in a movie
starring Johnny Depp, who seems to be unable to escape roles of LSD users). The
book is semi-autobiographical and recounts Thompson’s (under his alias of Raoul
Duke) psychedelic experiences in Las Vegas. In its opening pages, the tone is set
when Duke is said to carry a briefcase holding “ two bags of grass, seventy-five pellets of mescaline,
five sheets of high powered blotter acid, a salt shaker half full of cocaine,
and a whole galaxy of multi-colored uppers, downers, screamers, laughers... and
also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw
ether and two dozen amyls”, as he assures that “once you get locked into
a serious drug collection, the tendency is to push it as far as you can”.
Thompson was introduced
to psychedelics relatively late into his life, at 28 years old (in 1965) while
he was following the Hell’s Angel’s for an article. From then on drugs became
an integral part of his life. Thompson was quoted saying “sex, drugs, and
insanity have always worked for me, but I wouldn’t recommend them for everyone.”,
this is a feeling that seemed to be fairly common in the psychedelic era. Although
he used LSD and other drugs like so many others, he did not agree with the
hippie communities, who he believed had “never really believed they were the
wave of the future anyway”, as he thought that their lack of political actions resulted
in a drugged-out society with no aims.
Thompson’s LSD use is a
cautionary tale of sort. One of his favourite quotes was “he who makes a beast
of himself gets rid of the pain of being a man”, from Samuel Johnson and Thompson
did turn into a beast of sort after years of abuse. Roberto Loiderman, of the LA
Times, recalls a night spent with Thompson where he showed his dark side as
they both did LSD and Thompson ended up aiming a pistol and a rifle “out the
window”, terrifying Roberto and Thompson’s then wife, Sandy. Another side to Thompson
was what Johnny Depp (who became a very close friend of his while filming Fear
and Loathing) described as “a very gentle guy” who was “hyper, hypersensitive,
hence the self-medication”. Thompson is a perfect representation of the 1960s
artists as his use of psychedelics led him to create some amazing work, and some
extremely powerful political commentary, but it also led to his downfall as by
the end of his life, he made little to no sense, finally cutting it short by shooting
himself in the head with his final words being “No More Games. No More Bombs.
No More Walking. No More Fun. No More Swimming. 67. That is 17 years past 50.
17 more than I needed or wanted. Boring. I am always bitchy. No Fun – for
anybody. 67. You are getting Greedy. Act your old age. Relax – This won’t hurt”.
Henri Crépin-Leblond
Birth and controversies of the Psychedelic Era
The music and culture of the 1960s was majorly impacted by
the use of psychedelics, in particular LSD (or “acid”). But before it inspired musicians
such as The Beatles, Bob Dylan, Jimmy Hendrix and so many more, its use was
arguably questionable.
LSD was created in 1938
by chemist Albert Hoffman, who accidently tested it on himself on the 16th
of April 1943, it then took about ten years for the drug to be used in psychiatric
research. Before it became a recreational drug, LSD was used with relative
success to cure alcoholism from the 1950s onwards. As much as 40.000 people
were given the drug (between 1950 and 1965), but out of those, only a small
fraction was warranted. Patients suffering from schizophrenia, neurosis or even
autism (especially children) were subjected to those experiments, with negative
results swept under the rug, so much so that data is hard to find on those
events. One of the more questionable use of the drug was an experiment led by
the CIA and US Military from the late 1950s; it involved giving LSD to
prisoners to see if it could be used as a “truth drug”. The life-changing experiment on criminal Whitey Bulger (portrayed by Johnny Depp in the movie Black Mass) is one of its most famous cases due to its public nature. Sent to prison in the
mid-1950s for armed robbery, Bulger was subjected to the MK-Ultra program. Him and
his fellow inmates were told that the research would go towards “curing schizophrenia”
which of course was a lie. Coming out of prison in the mid-1960s, Bulger went
on to become one of Boston’s most violent gangsters and it’s argued today that
this switch from his early crimes was caused by his experience in prison.
Bulger was dosed 50 times and suffered his whole life from “auditory and visual
hallucinations and violent nightmares”, during those experiments Bulger was set
in front of monitors and repeatedly asked “Would you ever kill anyone?” and other
leading questions. Looking at this, it’s easy to see why George Harrison claimed
that "so much paranoia [was] created around the drug" during an interview
on the Dick Cavett Show in 1971.
But it was in the early 1960s that the true Psychedelic Era started.
The use of LSD exploded among hippie groups and became part of the 1960s counterculture,
especially as it became illegal in 1966, giving yet another way to go against
the government. Artists did not shy away from their use of acid, as psychedelic
sounds and album covers became the norm, leading to the birth of “acid rock”.
Looking at the Beatles, the switch between Help! (1965) and Revolver (1966) is
obvious. The difference in sound and lyrics between the tracks, going from classic
songs such as ‘Ticket to Ride’ (https://www.youtube.com/watch?v=UHsN9d4FTVI0)
with fairly innocent lyrics to ones such as ‘Love You Too’ (https://www.youtube.com/watch?v=s1X-q7MweIc&list=PLMhU9Z43N_1hu2525DEB50mvC-cioI85w&index=6)
with the lyrics “Make love all day long, Make love singing songs”, is a good
indicator of the start of the Psychedelic Era.

Ella Baker (1903-1986)
Ella Baker played a significant role in the development of the Civil Rights Movement in the 1950s and the 1960s.[1] Baker had devoted her entire adult life to building organisations that believed in social change by encouraging and empowering individual growth. In 1927, Baker graduated from Shaw University in North Carolina, and later she went on to joining the National Association for the Advancement for Coloured People (NAACP) as a field secretary in 1938. This saw to Baker travelling across the South, trying to persuade people that they could make “extraordinary changes”[2] in their lives. Although Baker was apart of the largest and oldest civil rights organisations in America who believed in ending racial segregation and discrimination, she later left her full time position within the organisation in 1946 as she became “disaffected”[3] by the hierarchical model of the organisation. The structure of the organisation meant that the decision process was largely being held in the national office, whereas Baker believed it should be distributed equally amongst the brand organisations. According to Aprele Elliot, Baker also “rejected”[4] the hierarchical system that was in place because she felt that it forced women into the position of the servants. Not only is Baker crucial in developing the Civil Rights Movement throughout the sixties, but she is also crucial in the development of women’s rights with regards to the movement.
In 1957 Baker joined the Southern Christian Leadership Conference (SCLC) as an associate director, where she worked alongside the infamous Martin Luther King Jr. Baker began to encourage the younger generation to continue the fight for civil rights within American by creating their own organisation, as she “opposed”[5] the notion that the younger generation should become an arm of the NAACP or the SCLC. Because of this, Baker became known as the women who encouraged the Student Non-violent Coordinating Committee (SNCC).
The SNCC consisted of
college students who believed in taking a nonviolent approach towards
dismantling racial segregation and discrimination in the United States by
partaking in Sit-in movements. The aim of the sit-ins were to highlight how
immoral segregation was by walking into a ‘white only’ establishment, and
taking a sit next to a white individual and show peacefully that they were both
the same, and therefore, should be treated the same. Baker used her extensive
contacts that she had accumulated throughout the years of working with older
Civil Rights Movement activists to help spread awareness for the youths
movement. Because of Bakers actions, not only did she ensure the survival of
the Civil Rights Movements future by making sure the younger generation have
the freedom to create their own movement, but she also gave the SNCC a
platform, which helped the newly founded organisation gain a respectable
reputation, not only from the older civil rights organisations, but also the
Kennedy Administration.[6]
Baker played a crucial role in the development of the Civil Rights Movement
during the 1950s and the 1960s with regards to the older organisations, but she
also played a crucial role in the formation of future organisations which were
founded by the younger generation, ensuring that they also had the freedom to
do so.
[1]
Ella Baker “Bigger Than a Hamburger,” The Southern Patriot, vol.18 (June 1960)
in Manning Marable and Leith Mullings, ed., Let Nobody Turn Us Around: Voices
on Resistance, Reform and Renewal, 2nd Ed. (Rowan & Littlefield Publishers,
2009) pp. 375
[2]
Elliott, Aprele. “Ella Baker: Free Agent in the Civil Rights Movement.” Journal
of Black Studies, vol. 26, no. 5, Sage Publications, Inc., 1996, pp.595
[3]
Ella Baker “Bigger Than a Hamburger,” The Southern Patriot, vol.18 (June 1960)
in Manning Marable and Leith Mullings, ed., Let Nobody Turn Us Around: Voices
on Resistance, Reform and Renewal, 2nd Ed. (Rowan & Littlefield Publishers,
2009) pp. 375
[4]
Ibid, pp.594
[5]
Ibid, pp. 375
[6]
Raiford, Leigh. “‘Come Let Us Build a New World Together’: SNCC and Photography
of the Civil Rights Movement.” American Quarterly, vol. 59, no. 4, Johns
Hopkins University Press, 2007, pp.1130