Friday, 24 November 2017

Hey Mumma Welcome To The 60s!

Hey Mumma Welcome To the 60s!

 The 2007 film adaptation of the hit Broadway musical and original 1988 film, Hairspray, is a film that’s firmly rooted within 1960s America. The film offers both a mature yet simplistic way of understanding racism today. The story’s feel-good conclusion implies that colour-blindness is the silver bullet that ends racial discrimination that good intentions and individual acts of bravery are enough to bring about harmony. 1

The film follows the life of overweight teen, Tracy Turnblad (Nikki Blonsky). She dreams of being on local TV music show ‘The Corny Collins Show’ and falling in love with heartthrob Link Larkin (Zac Efron). When the show announces its hosting auditions for a new cast member, Tracy is thrilled.


 (Tracy Turnblad and Link Larkin portrayed by Nikki Blonsky and Zac Efron)

She is casted, much to this dismay of the choreographer Velma Van Tussle (Michelle Pfieffer) who feels Tracy doesn’t fit in due to her weight. She also is strongly against “Negro Day”, which allowed the show to have the black dancers broadcasted once a month, but they are completely segregated from the other white dancers.


 (Velma Von Tussle portrayed by Michelle Pfieffer)

The idea of ‘Negro Day’ was an attitude that was accepted back in the 60’s, and ‘The Corny Collins Show’ which is actually a fictionalized version of real life 1960’s Baltimore TV show ‘ The Buddy Deane Show’, shows a much more comical and upbeat version of events. The key differences between the two shows was that ‘The Corny Collins Show’ eventually integrates successfully, while "The Buddy Deane Show" was cancelled suddenly in January 1964. The dance show was ‘the victim of an 'insoluble' integration problem’ said host Deane, who died in July at 78.2



 (‘The Corny Collins Show’ (left) ‘The Buddy Deane Show’ (right))

Race in America that’s portrayed within Hairspray suggests that racism within the film is more of an issue in how people’s attitudes are, rather than policies and laws influencing people. Through the musical, the teens sing and dance together to break the mould of segregation and overlook the issues of racism. Velma Von Tussle, whose character was quite vocally prejudice, was in fact the only character who seemed to have these views, thus allowing the other white characters to remain innocent spectators to what was happening around them with the discrimination the black teens faced. The film proposes the understanding for the viewers, that the idea of racism is wrong and allows them to dismiss the bigotry themes within the film, and conclude that the right way of life is that black and white people should not be segregated and live separate lives. The film does this without going into too much depth and detail about the consequences of disobeying segregation, which would have happened in the real world.

However the sparkle and happy ending that happens in Hairspray, is a more upbeat way of ending a film, that makes you as a viewer feel more comfortable when you switch off your TV, because lets face it, who would want to see Zac Efron flung in jail for protesting and standing up for the civil rights movement? The reality of the film Hairspray gives an undertone that it is okay to be who you are and love yourself, despite what size, race or gender you actually are.

“'The Corny Collins Show' is . . . now and forevermore . . . officially integrated!”

1 Delmont, M. (2017). 'Hairspray' Is a Revealing Portrayal of Racism in America. (online) The Atlantic.
2 Wexler, L. and Wexler, L. (2003). The Messy Truth of The Real 'Hairspray'. (online) Washington Post.



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